Why i didn't write you a Valentine
at the least excuse -
sit here bargaining with hell
for words that will amuse
you, hold you, keep you,
not make you run.
Light words, singing true,
hiding, underneath the fun,
what i really want to say
but don't, even though
it's THAT day today,
when it's okay to go
a little goofy, a bit
romantic, and lose
the acquired habit
of reserve, the ruse
i've learned of the stiff
upper lip, no matter what.
And i wonder what if
i let go, and, caught
in the moment, told
you in so many words,
that it's a cold
world, with no birds
singing, no laughter
when you're not around;
that this word crafter
hates the sounds
of a world without
you in it, and that it,
beyond a doubt,
isn't a Bad Habit
to want you near,
to hear your voice
in the night, dear
one, that it's nice
(to understate it a bit)
to look into your eyes
late into the night, and it's
even nicer to rise
in the morning to the bliss
of those eyes before me.
And if i were to say all this
would you then abhor me,
run away from those words?
It's that fear that makes me say
Today, i have no words,
i have nothing to say.
February 2005.
A poem i read at the New Bombay Read Met, and could have sworn i posted here, but apparently i haven't.
Labels: poetry
4 Comments:
Peter, didn't get the full import of the poem when you read it. But now I can. Thanks for posting it.
But why no capitals and full stops? Is it a deliberate attempt to subvert form or else... what?
's lover-ly, peter. ;-) very honest.
Zigzackly, it's oh-so-beautiful! What did She say to this?
New spectacles, perhaps, John?
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